'The Bride!' Has Plenty of Juice, but Never Fully Comes Alive
Maggie Gyllenhaal's movie works best as a ferocious scream rather than a traditional narrative.
Maggie Gyllenhaal's movie works best as a ferocious scream rather than a traditional narrative.
The worst part of an abysmal sequel.
The new Pixar movie’s pro-environment message sits comfortably alongside a story about working alongside those who infuriate us.
Three major takeaways from Paramount buying WB.
Bart Layton’s crime thriller wisely channels Michael Mann’s classic film for a pulse-pounding ride.
The cost of Big Game ads for major brands is now too expensive to forego a famous face.
Charlie XCX’s movie explores familiar territory about art and commerce but retains an honest angst about waning integrity in the machine.
Xfinity’s executives were so preoccupied with whether or not they could that they didn't stop to think if they should.
Outlets shouldn’t treat a box office flop as if it’s a success.
The action star continues his protector persona with the comforting ‘Shelter.’
Delroy Lindo! Kate Hudson! …F1?
Chris Pratt runs up against the limitations of his acting ability in this demo reel for Timur Bekmambetov’s screenlife silliness.
star wars
Her leadership of Lucasfilm under Disney was a massive financial success. But creatively, ‘Star Wars’ feels more listless than ever before.
movies
Two roads diverged, and I took the one without the satanists.
movies
The sequel is a fine disaster drama but largely feels like a retread of the first movie.
movies
A look at how the Sundance Film Festival has changed and what its future holds as it decamps from Park City, Utah.
movies
There’s a lot to look forward to in the new year.
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Hollywood may be in trouble, but the movies aren’t.
media
A reactionary conservative covering up for the Republican government?! What in the Fox News?!
movies
The latest Park chan-wook film is a biting dark comedy about an increasingly anti-human world.
movies
Tom Gormican’s aggressively goofy update of the 1997 movie is a delightful romp.
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For his third feature, the director chooses a smaller, more intimate lens for a story of artistic expression and unsteady marriages.
movies
Kleber Mendonça Filho’s drama is a sly look at life under authoritarianism.
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Cameron continues to care about the world of Pandora, but none of the characters or stories within it.