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‘Obsession’ Is a Brilliantly Dark Fable about Confusing Love with Romance
Curry Barker’s twisted, exhilarating horror film is not for the faint of heart.
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Curry Barker’s twisted, exhilarating horror film is not for the faint of heart.
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It doesn’t get better than this.
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Damian McCarthy continues to nail the art of spookiness.
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The sequel is an inoffensive little victory lap with plenty of sympathy for the devil.
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With quiet confidence Sophy Romvari semi-autobiographical story examines the fallout of mental illness.
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Kirk Jones’ biopic feels like a continuation of its subject’s mission to raise awareness about Tourette’s Syndrome.
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Ian McKellen and Michaela Coel are terrific in Steven Soderbergh’s art drama.
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Ben Wheatley offers up an empty bloodbath in a world where everyone is a killer.
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The romance provides an enticing look at the Italian region, but the genre tropes feel staid and unimaginative.
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The plot point hidden by the marketing isn’t the film’s primary concern.
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Illumination’s sequel offers bright colors, loads of action, and almost no fun.
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Malice Managed.