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‘Is This Thing On?’: Bradley Cooper Plays a Familiar Tune in a Minor Key
For his third feature, the director chooses a smaller, more intimate lens for a story of artistic expression and unsteady marriages.
Former Editorial Manager at TCM and Chief Film Critic at Collider; still a movie nerd.
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For his third feature, the director chooses a smaller, more intimate lens for a story of artistic expression and unsteady marriages.
movies
Kleber Mendonça Filho’s drama is a sly look at life under authoritarianism.
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Cameron continues to care about the world of Pandora, but none of the characters or stories within it.
The late director sits alongside the best cinema and America has to offer.
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This is probably not going to go well for the Mouse House.
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The Oscar-winning filmmaker’s latest (and likely last) picture is a stunning failure on almost every level.
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In today’s media landscape, there are only degrees of disaster.
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The jokes come at a furious, uneven clip in Jim O’Hanlon’s send-up of ‘Downton Abbey.’
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Paul Thomas Anderson's latest film scored seven wins from the critics group.
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In trying to throw a tonal change-up into his ‘Knives Out’ series, writer-director Rian Johnson loses some of its core identity.
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While it’s not a perfect movie, the new sequel feels like a different species from the studio’s past three duds.
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Once you finish drying your eyes, Chloé Zhao’s drama requires some unraveling.