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‘No Other Choice’ and the Rewards of Sociopathy
The latest Park chan-wook film is a biting dark comedy about an increasingly anti-human world.
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The latest Park chan-wook film is a biting dark comedy about an increasingly anti-human world.
movies
Tom Gormican’s aggressively goofy update of the 1997 movie is a delightful romp.
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For his third feature, the director chooses a smaller, more intimate lens for a story of artistic expression and unsteady marriages.
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Kleber Mendonça Filho’s drama is a sly look at life under authoritarianism.
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Cameron continues to care about the world of Pandora, but none of the characters or stories within it.
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The Oscar-winning filmmaker’s latest (and likely last) picture is a stunning failure on almost every level.
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The jokes come at a furious, uneven clip in Jim O’Hanlon’s send-up of ‘Downton Abbey.’
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Paul Thomas Anderson's latest film scored seven wins from the critics group.
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In trying to throw a tonal change-up into his ‘Knives Out’ series, writer-director Rian Johnson loses some of its core identity.
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While it’s not a perfect movie, the new sequel feels like a different species from the studio’s past three duds.
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Once you finish drying your eyes, Chloé Zhao’s drama requires some unraveling.
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What is the point of a press tour?