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‘Backrooms’ and ‘Obsession’ May Signal a Sea Change, but Major Studios Won’t Go Quietly
The new horror films from Gen Z YouTubers are dominating at the box office, and yet this isn’t quite the same moment as the 1970s.
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The new horror films from Gen Z YouTubers are dominating at the box office, and yet this isn’t quite the same moment as the 1970s.
movies
Tonally confused and narratively abrupt, the new adaptation maintains a winning charm despite its faults.
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John Carney’s latest movie is another reminder that Rudd is far more than a funny guy.
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Beguiling production design is ultimately a dead-end in Kane Parsons’ debut feature.
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Curry Barker’s twisted, exhilarating horror film is not for the faint of heart.
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It doesn’t get better than this.
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Damian McCarthy continues to nail the art of spookiness.
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The sequel is an inoffensive little victory lap with plenty of sympathy for the devil.
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With quiet confidence Sophy Romvari semi-autobiographical story examines the fallout of mental illness.
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Kirk Jones’ biopic feels like a continuation of its subject’s mission to raise awareness about Tourette’s Syndrome.
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Ian McKellen and Michaela Coel are terrific in Steven Soderbergh’s art drama.
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Ben Wheatley offers up an empty bloodbath in a world where everyone is a killer.