movies
In Christopher Nolan’s ‘The Odyssey,’ We’re All Strangers in a Strange Land
Nolan's lush, tactile film makes a for thoughtful, bracing conversation with Homer's epic.
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movies
Sam Neill Was Casually a Legend
Far more than Jurassic Park’s Alan Grant, Neill was the kind of performer who could elevate any movie with his quiet charm and surprising intensity.
movies
In the Unnerving ‘Rose of Nevada’, the Past Captures the Present
From its cinematography to its haunting premise, Mark Jenkin’s unique time-travel tale shows who gets sacrificed for the idea of a better world.
movies
‘Gail Daughtry and the Celebrity Sex Pass’: A Delightfully Demented ‘Wizard of Oz’ Riff
Director David Wain is back in ‘Wet Hot American Summer’ mode and sends Hollywood through his wonderfully bizarre filter.
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Six Best Movies of 2026 So Far
For those who would like to do a little catching up.
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‘Supergirl’ Already Feels Antiquated
The new superhero blockbuster looks to be the hit movie of 2018.
movies
‘The Death of Robin Hood’ Review: Truth, Lies and Reconciliation
Michael Sarnoski’s drama ponders a way forward outside of retribution or atonement.
movies
You Can’t Fake ‘The Furious’
Kenji Tanigaki’s action film showcases the unique, violent thrills of incredible martial arts choreography.
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‘Backrooms’ and ‘Obsession’ May Signal a Sea Change, but Major Studios Won’t Go Quietly
The new horror films from Gen Z YouTubers are dominating at the box office, and yet this isn’t quite the same moment as the 1970s.
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‘Masters of the Universe’: An Endearingly Clumsy Grasp for Power
Tonally confused and narratively abrupt, the new adaptation maintains a winning charm despite its faults.
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‘Power Ballad’ and the Bizarre Gap in Paul Rudd’s Filmography
John Carney’s latest movie is another reminder that Rudd is far more than a funny guy.
movies
‘Backrooms’ Is a Setting in Search of a Story
Beguiling production design is ultimately a dead-end in Kane Parsons’ debut feature.